Abstract

Developing further from a slightly Marxist perspective of the conflict-fuelled era of competing ideologies between the ruling and working classes during the Counterculture era of the 1960s and 70s in the United States, this article positions establishment institutions such as the government, media, and family units under Louis Althusser’s idea of the State Apparatus with the Underground Comix movement and R. Crumb’s early work squarely against it. This article argues the presence of Dissensus, as put forth by Ranciere, in the form of social, racial, and political anti-ideological motifs within Robert Crumb’s Zap Comics. These motifs entered the cultural infrastructure through the medium of comics, stirring up passions and encouraging a necessary discord among classes and groups. Moreover, it discusses the assimilation of many of these anti-ideological motifs into modern mass culture, through a case study of the 2019 TV show The Boys and its opposition to today’s State Apparatus.